'THE VIRGIN AND CHILD WITH REPENTANT SINNERS' COMFIRMED AS AN ORIGINAL VAN DYCK

'THE VIRGIN AND CHILD WITH REPENTANT SINNERS' WAS NOT A COPY OF VAN DYCK AND DID NOT DESERVE TO BE IN THE BASEMENT OF THE SAN FERNANDO ROYAL ACADEMY OF FINE ARTS IN MADRID. IT WAS A GENUINE VAN DYCK FROM 1625, THE INSTITUTION TOOK IT OUT OF STORAGE RECENTLY AFTER MANY YEARS. THE WORK WAS INCLUDED IN THE 1964 INVENTORY OF THE ACADEMY AS 'AN OLD COPY OF VAN DYCK'. ONCE THE PAINTING WAS CLEANED AND RESTORED, THE AUTHENTICITY OF THE WORK OF ART HAS BEEN CONFIRMED ACCORDING TO THE PRESS RELEASE. THE DIRECTOR OF THE ACADEMY, ANTONIO BONET CORREA, APPEARED BEFORE THE PRESS TO PRESENT THE WORK WITH THE TEACHER AND RESEARCHER OF HISTORY OF ART AND FORMER CURATOR OF THE MUSEO DEL PRADO, MATIAS DIAZ PADRON. THE ATTRIBUTION TO VAN DYCK IS 'NO LONGER IN DOUBT', SAID THE ROYAL ACADEMY. 'THE VIRGIN AND CHILD WITH REPENTANT SINNERS' DEPICTS THE VIRGIN MARY WITH THE BABY JESUS IN HER ARMS WATCHED BY MARY MAGDALENE, KING DAVID AND THE PRODIGAL SON. THE PICTURE IS AN EXAMPLE OF THE CATHOLIC EMPHASIS PLACED ON THE SACRAMENT OF PENANCE. ACCORDING TO THE ACADEMY OF SAN FERNANDO, 'THE HIGH QUALITY OF HIS STYLE AND TECHNIQUE ALLOWS US TO CLASSIFY THE WORK IN THE ITALIAN PERIOD OF VAN DYCK. THIS COUPLED WITH THE PROXIMITY OF THE DOCUMENTS CITED, LEAVES NO DOUBT ABOUT HIS AUTHORSHIP.' THE PAINTING IS PART OF THE EXHIBITION 'ECHOES OF VAN DYCK', WHICH OPENS IN MURCIA, SPAIN, FROM 1.APRIL TO 8.MAY AND WILL BE IN MADRID FROM 16.MAY TO 26.JUNE.