WITH THE ARTISTIC WORK OF WOLFGANG JOOP, GALERIE MICHAEL SCHULTZ PRESENTS AN ASPECT OF THIS CREATIVE MULTI-VERSATILE GENIUS WHICH IS STILL LESS HEARD OF, AS OPPOSED TO HIS WORLD FAME AS A DESIGNER. FOR MORE THAN TEN YEARS NOW, THE ARTIST WHO COMPLETED HIS STUDIOS FOR FINE ARTS AT HOCHSCHULE FUR BILDENDE KUNSTE BRAUNSCHWEIG HAS ALSO BEEN INVOLVED WITH SCULPTURE. HIS COMPLETE BODY OF WORK STANDS OUT DUE TO INTUITION AND THE ULTIMATE MANUAL PERFECTION. THEY ACHIEVED THIS IN QUITE DIFFERENT GENRES OF FINE AND APPLIED ARTS, ALWAYS WITH THE SAME PRECISION THAT CHARACTERIZES HIS WORKS SO DISTINCTLY. FOR JOOP'S THINKING IN TERMS OF GESAMTKUNSTWERK (TOTAL WORK OF ART) THIS APPLIES TO FASHION AS IT DOES FOR EXPRESSING MYTHS, POETRY AND DEATH. THE SCULPTURAL AND TEXTILE WORKS SHOWN IN THE EXHIBITION, WITHIN THEIR STRONG MATERIAL OPPOSITES, FORGE A UNIT IN THEMSELVES, AT FIRST GLANCE BY THEIR WEIGHT. ALTHOUGH, THE SPIRITUAL SUBJECT EXCEEDINGLY UNIFIES THEM HARMONIOUSLY INTO AN ENTITY WITH REGARDS TO CONTENT. WOLFGANG JOOP DOES NOT SHY AWAY FROM PATHOS. WHOEVER CALLS POTSDAM HIS HOME DOES KNOW ABOUT THE POWER OF CLASSICIST INFLUENCES ALL AROUND SACSSOUCI PALACE. BUT WITH THESE ELEMENTS, JOOP INITIATES A DIALOG BETWEEN TRADITION AND EXPERIMENT THAT ACCOMPLISHES MATERIALIZATION WHILE BEING BORN FROM DREAMS. HE WORKS WITH STRONG PICTORIAL QUOTES WHICH COMMEMORATE OF CHRISTIAN AND MYTHOLOGICAL ICONS, SUCH AS THE VEIL OF VERONIKA, OR THE LEGENDARY ANCIENT NIKE OF SAMOTHRACE WHOSE GIANT WINGS ADORN THE LOUVRE TODAY. 'ANGELS ARE CONSOLATORY MESSENGERS BETWEEN MAN AND GOD', THE ARTIST SAYS. HIS ANGELS OCCASIONALLY SCREAM OUT OF LONELINESS AND PAIN THOUGH, OR THEY APPEAR LIKE DEMONS WITH THEIR SOCRATIC FACIAL FEATURES, REMINDING RATHER OF KNOWING HERMES AND THEREFORE READABLE ALSO AS SIGN POSTS THAN AS GRAVE STELES, ESPECIALLY WHEN THEIR SEXUAL AFFILIATION DOES NOT MAKE ITSELF ACCESSIBLE IMMEDIATELY TO THE BEHOLDER.
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