LADY JANE GREY WAS NOMINAL QUEEN OF ENGLAND FOR JUST NINE DAYS IN 1553 AS PART OF AN UNSUCCESSFUL BID TO PREVENT THE ACCESSION OF THE CATHOLIC MARY TUDOR. A STUNNING NEW EXHIBITION AT THE NATIONAL PORTRAIT GALLERY, LONDON, CHARTS THE POSTHUMOUS ICONOGRAPHY OF LADY JANE GREY AND EXPLORES HOW WORKS IN PRINT PROMOTED HER AS AN ARCHETYPAL PROTESTANT HEROINE AND MARTYR. IT IS NOT KNOWN FOR CERTAIN WHETHER A PORTRAIT OF LADY JANE GREY WAS PAINTED DURING HER LIFETIME. GIVEN THAT LADY JANE GREY CAME TO PROMINENCE ONLY FOR A SHORT PERIOD BEFORE HER DEATH (FROM JULY 1553 TO FEBRUARY 1554), THERE WOULD HAVE BEEN ONLY A SMALL WINDOW OF OPPORTUNITY IN WHICH A PORTRAIT FROM THE LIFE COULD HAVE BEEN PAINTED. THE REIGN AND EXECUTION OF THE 'NINE DAYS QUEEN' SEEMS NOT TO HAVE MADE A CONSIDERABLE IMPACT ON THE PUBLIC CONSCIOUSNESS OF THE DAY. IT WAS NOT UNTIL THE TURN OF THE 17th CENTURY THAT A CULTURE OF PRODUCING POSTHUMOUS PORTRAIT OF LADY JANE GREY DEVELOPED. THE EXHIBITION OF TWENTY PRINTS FROM THE ARCHIVE COLLECTION OF THE NATIONAL PORTRAIT GALLERY INCLUDES DER PASSES'S INFLUENTIAL ENGRAVING FOR HENRY HOLLAND'S HEROOLOGIA, AND PRINTS OF SENTIMENTAL HISTORY PAINTINGS, POPULAR IN THE 19th CENTURY. A POSTHUMOUS PORTRAIT OF LADY JANE GREY, ACQUIRED BY THE GALLERY IN 2006, HANGS IN THE ENTRANCE TO THE DISPLAY.
LADY JANE DUDLEY (nee GREY) (1537-1554) WAS THE GRAND-DAUGHTER OF HENRY VIII's SISTER PRINCESS MARY, AND IN 1553 MARRIED LORD GUILDFORD DUDLEY, SON OF THE DUKE OF NORTHUMBERLAND. UNDER NORTHUMBERLAND'S INFLUENCE EDWARD VI WILED HER THE CROWN. SHE WAS PROCLAIMED QUEEN AT HIS DEATH IN JULY 1553, AND REIGNED FOR AROUND NINE DAYS UNTIL IMPRISONED BY SUPPORTERS OF MARY TUDOR. SHE WAS EXECUTED AT THE AGE OF 16 IN THE AFTERMATH WYATT'S REBELLION.
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