NATIONAL GALLERY OF SCOTLAND TO DISPLAY RECOVERED DA VINCI PAINTING 'THE MADONNA OF THE YARNWINDER'

THE NATIONAL GALLERY OF SCOTLAND ANNOUNCED THAT THE PAINTING, 'THE MADONNA OF THE YARNWINDER' BY LEONARDO DA VINCI WILL GO ON DISPLAY IN THE GALLERY. IN 2003 IT WAS STOLEN FROM DRUMLANRIG CASTLE, THE DRUMFRIESSHIRE HOME OF THE DUKE OF BUCCLEUCH AND QUEENSBERRY. THE PAINTING WAS RECOVERED IN 2007. 'THE MADONNA OF THE YARNWINDER' IS THE ONLY PAINTING BY DA VINCI IN SCOTLAND AND IS ON LOAN TO THE GALLERY FROM THE DUKE AND THE TRUSTEES OF THE BUCCHLEUCH HERITAGE TRUST. IN THIS PIONEERING AND INFLUENTIAL COMPOSITION, AN UNUSUALLY LARGE CHRIST CHILD IS SHOWN PERCHED ON A ROCKY OUTCROP BESIDE HIS MOTHER. HE GAZES INTENTLY AT THE CROSS-SHAPED FORM OF A WOODEN YARNWINDER, PRECOCIOUSLY AWARE OF HIS FUTURE CRUCIFIXION. THE VIRGIN'S TENDER, SORROWFUL EXPRESSION AND HESITANT GESTURE REINFORCE THE POIGNANCY OF THE ACTION. THERE HAS BEEN MUCH DEBATE REGARDING THE EXTENT OF DA VINCI'S DIRECT INVOLVEMENT IN THE PAINTING, BUT IT SEEMS LIKELY THAT THE OVERALL DESIGN, AND THE EXECUTION OF THE FIGURES AND THE FOREGROUND ROCKS, ARE ENTIRELY HIS. THE BACKGROUND LANDSCAPE, ON THE OTHER HAND, IS NOT CHARACTERISTIC OF DA VINCI, AND WAS PROBABLY ADDED OR COMPLETED BY ANOTHER ARTIST, POSSIBLY QUITE A BIT LATER. TECHNICAL EXAMINATION HAS REVEALED LANDSCAPE FEATURES AND FIGURES IN THE BACKGROUND THAT ARE NO LONGER VISIBLE ON THE SURFACE. THAT SOME OF THESE REAPPEAR IN EARLY COPIES AND VARIANTS OF THE COMPOSITION SUPPORTS THE IDEA THAT THE BACKGROUND MAY HAVE BEEN LEFT UNFINISHED BY DA VINCI AND COMPLETED ONLY LATER. THE PAINTING WAS THE FOCUS OF AN EXHIBITION, 'LEONARDO DA VINCI: THE MYSTERY OF THE MADONNA OF THE YARNWINDER', ORGANIZED AT THE NATIONAL GALLERY OF SCOTLAND IN 1992.